Play Along Piano

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SDG

Abba, Vader, U alleen, U behoor ik toe. Abba Father, I belong to You alone. Abba Father let me be yours and yours alone...

SDG

1:30	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		9	0	2	3	50%
		10	0	3	3	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		9	0	2	3	50%
		10	0	3	3	100%
Soprano/Alto		12	0	1	3	100%
Tenor/Bass		16	0	4	3	100%
Violin		9	0	0	3	100%
Contrabass		9	0	2	3	50%
Viola		7	0	1	3	50%

Waken! Christian children, Christmas carol.

SDG

0:44	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		8	0	1	3	100%
Manual II		6	0	0	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		8	0	1	3	100%
Manual II		6	0	0	4	100%
Pedal		12	0	2	5	100%
S A		8	0	1	3	67%
T B		14	0	2	3	67%

Jesus hat mich frei gemacht. Arrangement: Gertim

SDG

0:49	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		14	0	1	3	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		14	0	1	3	52%

338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
		14	0	1	4	100%
		14	0	1	4	100%
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		14	0	1	4	100%
Contrabass		9	0	1	3	50%

23. Gib dich zufrieden und sei stille. Schemelli. Inner voices: Gertim. BWV 512.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	3	5	100%
Tenor/Bass		13	0	1	5	100%
Contrabass		13	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	3	5	100%
Tenor/Bass		13	0	1	5	100%
Contrabass		13	0	1	3	50%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
Violoncello		18	0	5	2	100%
Timpani		2	0	0	4	76%
Soprano/Alto		9	0	2	3	63%
Tenor/Bass		17	0	2	4	63%
Flute		7	0	1	3	55%
		7	0	1	3	55%
Oboe		7	0	1	3	55%
		7	0	1	3	55%
Violin		6	0	1	2	35%
		7	0	1	3	55%
Soprano		7	0	1	3	55%
Viola		7	0	1	4	55%

Het is volbracht! (variant III). Own composition.

SDG

0:45	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	3	3	100%
		17	0	2	3	100%
Contrabass		12	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	3	3	100%
		17	0	2	3	100%
Contrabass		12	0	1	3	50%

74. Ein' feste Burg ist unser Gott. J.S. Bach. Luther. B.A. 39. No 49. BWV 302.

SDG

0:59	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	4	100%
		13	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	4	100%
		13	0	2	4	100%
		18	0	3	5	100%
		18	0	3	5	100%
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		14	0	1	3	50%

13. Allein Gott in der Höh' sei Ehr', BWV 104.6. Cantate 104. Du Hirte Israel, höre.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	1	3	100%
		11	0	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	1	3	100%
		11	0	1	3	100%
		16	0	2	4	100%
		16	0	2	4	100%
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		16	0	2	4	100%
Oboe		8	0	1	4	85%
Contrabass		10	0	1	2	50%

219. Komm, Gott Schöpfer, heiliger Geist.

SDG

0:35	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		7	0	0	3	100%
Soprano/Alto		10	0	1	2	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		7	0	0	3	100%
Soprano/Alto		10	0	1	2	100%
Tenor/Bass		13	0	2	2	100%
Contrabass		9	0	1	2	51%

339. Was Gott thut, das ist wohlgethan. BWV 250.

SDG

0:50	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
extra Soprano		9	0	1	4	100%
extra Tenor		10	0	1	2	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
extra Soprano		9	0	1	4	100%
extra Tenor		10	0	1	2	100%
Soprano/Alto		15	0	3	4	100%
Tenor/Bass		17	0	2	4	100%
Horn in F		10	0	1	4	97%
extra Bass		12	0	1	3	55%
Contrabass		11	0	1	3	50%
extra Alto		11	0	2	3	50%

118. Gottlob, es geht nunmehr zu Ende. BWV 321.

SDG

0:58	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	5	100%
Tenor/Bass		17	0	1	6	100%
Contrabass		11	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	5	100%
Tenor/Bass		17	0	1	6	100%
Contrabass		11	0	1	3	50%

179. Ich dank' dir schon durch deinen Sohn. BWV 349.

SDG

0:40	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	5	100%
Tenor/Bass		18	0	2	5	100%
Contrabass		11	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	5	100%
Tenor/Bass		18	0	2	5	100%
Contrabass		11	0	1	3	50%

262. Nun freut euch, lieben Christen g'mein (Es ist gewisslich an der Zeit), BWV 307

SDG

0:49	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		15	0	1	2	100%
Contrabass		10	0	1	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		15	0	1	2	100%
Contrabass		10	0	1	2	50%

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